印象派诗性之美分析
苏州工艺美术职业技术学院[ISSN:1006-6977/CN:61-1281/TN]
卷:
期数:
2022年2期
页码:
62
栏目:
出版日期:
2022-07-20
- Title:
- Research on the poetic beauty of impressionism paintings ——A case study on the paintings of Manet, Monet and Van Gogh
- 文献标志码:
- A
- 摘要:
- 印象派画家们通过对传统绘画辩证的思考与实践，让绘画由再现客体的观念转向了对画家自我情感的表现，在这种转向过程中，印象派画家以一种作为自由主体的生命本能冲动，将自我意识赋予到外在对象之上，不仅创造出了富有个体特性的绘画艺术，同时还彰显了绘画艺术独特的、不确定的诗性意味，而这种诗性的审美意蕴也是印象派绘画具有独特审美价值的重要原因。本文选取在印象派不同发展阶段具有代表性的三位画家的作品，对印象派绘画的诗性之美进行阐释分析。
- Abstract:
- Through critical thinking and practice of traditional paintings, impressionism painters turned the concept of object reproduction to the expression of painter’s self emotion. In this process, impressionism painters followed an instinct impulse as free subject to endow self awareness onto external object. They not only created a painting art full of individual characteristics, but also demonstrated the unique, uncertain poetic meaning of painting art. Meanwhile, such poetic aesthetic meaning is also an important reason why impressionism paintings have unique aesthetic value. By selecting the most representative works of three painters at different stages of impressionism, this article analyzes the poetic beauty of impressionism paintings.
更新日期/Last Update:
2022-12-19