[1]许嘉源.览画如游园 ——顾沄《怡园图册研究》[J].苏州工艺美术职业技术学院,2021,(2):0.
The study of Gu Yun’’s Twenty paintings of the Garden of Hamony[J].,2021,(2):0.
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苏州工艺美术职业技术学院[ISSN:1006-6977/CN:61-1281/TN]
卷:
期数:
2021年2期
页码:
0
栏目:
出版日期:
2021-07-15
- Title:
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The study of Gu Yun’’s Twenty paintings of the Garden of Hamony
- 作者:
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许嘉源
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- 文献标志码:
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A
- 摘要:
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自唐宋始,园林诗情画意的秉性越来越为人所重。明清时期,文人私园建造大兴,园林绘画题材显著增加,依画作园、依园作画盖时兴。顾沄作为海派六十家之一,与过云楼顾氏及怡园交往甚密,而这套《怡园图册》作为晚期吴中实景园林画代表作却缺乏相应研究,是为数不多可将园图与实景对照的作品。本文以画者和实景再现角度观察这套园林景图,比较其实景忠实性,分析怡园图册的艺术特色和手法,旨在探究吴门文脉传统下画与园林的互动关系及实景园林画的传承发展。
- Abstract:
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Gu Yun’’s Twenty paintins of the Garden of Harmony collected by Nanjing Museum vividly describe the garden’’s beautiful scenary Its artistic conception is of elegance just as the painter paised--You hardly walk into the gate when you appreciate the owner’’s virtues and taste.
Ever since Tang and Song dynasties the idyllic charm of garden has been attached more and more importance.In Ming and Qing dynasties ,building private garden has become a common interest within literati thus arose the prosper in garden painting and at the same time,made painting and garden art each other’’s accordence. As one of the sixty famous masters of Shanghai genre in mordern times ,Gu Yun and his twenty pictures of Harmony Garden failed in fame ,attention and relative research.However,as an important member in Suzhou literati circle,the brilliant painter and designer of Shen Bingcheng’’s Garden of Couple’’s Retreat left us an exploration of old time grace in Suzhou.The survival of the Garden of Harmony provides us with a chance to put the sites and drawings into comparation.Driven by a practioner’’s curiousness,the writer attempts to observe this set of garden painting in a perspective of realistic reappearance and expression in order to discuss the interraction between painting and garden,also the inheritance and development of realistic garden picture under the tradional Wumen context.
更新日期/Last Update:
2021-11-17