苏州工艺美术职业技术学院[ISSN:1006-6977/CN:61-1281/TN]
卷:
期数:
2022年3期
页码:
52
栏目:
出版日期:
2022-11-30
- Title:
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Research on the Expression of National Symbols Entering Chinese Painting Creation
- 作者:
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李程林
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- 文献标志码:
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A
- 摘要:
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全球化语境下创新民族传统文化与夯实深厚的文化基础是重塑一个国家和民族的世界形象的重要前提。中国画作为塑造国家形象和文化维度的象征形式之一,代表了中国有别于其他国家和民族的文化形象的生命表现和历史沉淀。中国画创作需要融入具有共识性、客观性和文学性的中国文化标识的民族符号,立足本土、本民族的文化传统,走向世界艺术舞台,通过民族符号传递民族文化信息,体现民族意识、民族信仰、民族风俗和民族价值观等,并以此展现中国文化形象和精神的文化价值。
- Abstract:
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Innovation of traditional national culture and the consolidation of a deep cultural foundation in the context of globalization are important prerequisites for reshaping the global image of a nation and a people. Chinese painting, as one of the symbolic forms that shape the image and cultural dimension of a nation, represents the living expression and historical precipitation of China’’s cultural image that distinguishes it from other countries and nations. The creation of Chinese painting needs to incorporate the national symbols of Chinese cultural identity with consensus, objectivity and literature, base on the local and national cultural traditions and go to the world art stage, transmit national cultural messages through national symbols, embody national consciousness, national beliefs, national customs and national values, etc., and in this way present the cultural values of Chinese cultural image and spirit.
更新日期/Last Update:
2022-12-19