[1]周稳.隋唐时期佛教文化在陶瓷艺术中表现研究 -以寿州窑陶瓷为例[J].苏州工艺美术职业技术学院,2021,(2):0.
Study on the expression of Buddhist culture in ceramic art in Sui and Tang Dynasties -Take Shouzhou kiln ceramics as an example[J].,2021,(2):0.
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Study on the expression of Buddhist culture in ceramic art in Sui and Tang Dynasties -Take Shouzhou kiln ceramics as an example[J].,2021,(2):0.
隋唐时期佛教文化在陶瓷艺术中表现研究 -以寿州窑陶瓷为例
苏州工艺美术职业技术学院[ISSN:1006-6977/CN:61-1281/TN]
卷:
期数:
2021年2期
页码:
0
栏目:
出版日期:
2021-07-15
- Title:
- Study on the expression of Buddhist culture in ceramic art in Sui and Tang Dynasties -Take Shouzhou kiln ceramics as an example
- 文献标志码:
- A
- 摘要:
- 佛教作为印度外来宗教，自东汉传入中国积极与中国传统文化本土宗教融合发展，最终于隋唐时期基本完成中国化改造并迎来发展的鼎盛时期，寿州窑陶瓷艺术经过不断积累也在唐朝中期达到顶峰。通过对戳印莲花纹四系盘口壶、青釉莲花纹四系罐、黄釉璧形底盏、黄釉贴花葵口盏、黑釉象形瓷枕五件寿州窑陶瓷艺术作品进行研究分析，刨析佛教文化在隋唐时期的发展以及在寿州窑陶瓷艺术上的体现，探究寿州窑陶瓷艺术背后所蕴藏的佛教思想、佛教文化和佛教色彩，以促进佛教文化和寿州窑陶瓷艺术在当代的协同发展。
- Abstract:
- Buddhism, as a foreign religion in India, was introduced into China from the Eastern Han Dynasty and actively integrated with the local religion of Chinese traditional culture. Finally, it basically completed its sinicization and ushered in the heyday of development in the Sui and Tang Dynasties. After continuous accumulation, the art of Shouzhou Kiln ceramics reached its peak in the middle of the Tang Dynasty. Through the research and analysis of six Shouzhou kiln ceramic art works, namely four-system pankou pot with stamp lotus pattern, four-system pot with green glaze lotus pattern, yellow-glazed bier-shaped bottom cup, yellow-glazed decal kaikou cup and black-glazed Pictographic porcelain pillow , the development of Buddhist culture in Sui and Tang dynasties and its embodiment in Shouzhou kiln ceramic art are analyzed, and the Buddhist thoughts, culture and colors hidden behind the Shouzhou kiln ceramic art are explored to promote the synergistic development of Buddhist culture and Shouzhou kiln ceramic art in the contemporary era.
更新日期/Last Update:
2021-11-17