[1]周灵云.明《十竹斋笺谱》中的艺术形象表达[J].苏州工艺美术职业技术学院,2021,(1):64-067.
Symbolize, Substitute and Analogy:the Artistic Image Expression of Shizhuzhai Jianpu in Ming Dynasty[J].,2021,(1):64-067.
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苏州工艺美术职业技术学院[ISSN:1006-6977/CN:61-1281/TN]
卷:
期数:
2021年1期
页码:
64-067
栏目:
出版日期:
2021-03-01
- Title:
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Symbolize, Substitute and Analogy:the Artistic Image Expression of Shizhuzhai Jianpu in Ming Dynasty
- 作者:
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周灵云
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- 文献标志码:
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A
- 摘要:
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《十竹斋笺谱》是明末由胡正言在金陵主持刊印的一部版画图谱,是中国笺纸出版中的经典。其笺纸上皆绘以花、石、兽、物等简洁雅致的艺术图像,尤其是后两卷中更是运用象征的手法绘以适当的简单器物来描绘一个典故,进而象征一种文化意涵,传达一种精神。文章从本体与象征体之间的演化过程及象征审美特征等角度,来探讨《十竹斋笺谱》中的艺术形象表达方式,以期为传承弘扬中国优秀传统艺术提供积极启示。
- Abstract:
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Shizhuzhai Jianpu is a print atlas published by Hu Zhengyan in Jinling at the end of Ming Dynasty. It is a classic in Chinese paper publishing. Its paper is painted with simple and elegant artistic images of flowers, stones, animals, objects, etc., especially in the latter two volumes, symbolism is used to draw appropriate simple objects to depict an allusion, thus symbolizing a cultural meaning and conveying a spirit. From the perspective of the evolution process between noumenon and symbol and the aesthetic characteristics of symbolism, this paper discusses the artistic image expression in shizhuzhai Jianpu, in order to provide positive enlightenment for the inheritance and promotion of Chinese excellent traditional art.
更新日期/Last Update:
2021-06-17